Stressless Sound Equipment List

Monitoring:
       Adam A7X

 
   Genelec 6010A

     JBL LSR4328


 
   PreSonus Central Station


     Hear Back Headphone system

Mic Pre’s:
       (4) API 3124

       (2) API 512C [500 series]

       (2) Chameloen Lab TS-2 [500 series]

       (1) Grace Audio M501 [500 series]

      (1) Joe Meek VC1Q Studio Channel

       (2) Neve 1081

       (2) Neve 1073 [500 series]
       (1) PreSonus Digimax FS

Compression/Limiting:
       (1) API512c [500 series]

       (1) Chandler Little Devil [500 series]

       (2) Inward Connections “The Brute” [500 series]

       (1) Joe Meek VC1Q Studio Channel

       (1) SSL 611DYN [500 Series]
       (1)Telectronic LA2A

Equalization:
       (2) API 550B [500 series]

       (1) Joe Meek VC1Q Studio Channel

       (2) Neve 1081

Recording System:
       ProTools 12 
With a very large selection of Plug-ins

Samplers:
       Arturia Wurlitzer-V
       East/West
       Philharmonic

       SampleTank 2

       Steinberg The Grand 3
       UVI Emulation II

Microphone Selection:
       (1) AKG D112

       (1) AKG C414B

       (1) APEX 210 with RCA44 ribbon & Lifter mod from Cloud

       (1) Blue Baby Bottle

       (1) Blue Woodpecker Ribbon

       (1) Bock 195

       (1) Chameleon Labs TS-2 Tube

       (1) Crowne PZM

       (1) Electro Voice RE20

       (2) Fender P-51

       (1) Granelli G5790 Shure 57 90º mod

       (1) Hohner Bullet

       (2) Joe Meek JM47

       (2) Mojave MA100 (Stereo Pair)

       (1) MXL V69 Tube Mogami Ed.

       (1) MXL4000

       (1) Neumann KM184

       (1) RCA Ribbon KU3A

       (1) RCA Ribbon SK46 with RCA44 ribbon mod from Cloud

       (1) Rode Broadcaster

       (1) Rode K2 Tube

       (1) Rode NT1

       (1) Royer R-121

       (1) Sanken CMS-2 Stereo

       (1) Sennheiser E609

       (2) Sennheiser 421

       (2) Shure 57

       (1) Shure 58

       (1) Telefunken AK47 Tube

       (1) Yamaha Sub kick

MIDI/Synths:
       Alesis Control Pad

       Kurzweil SP88

       Moog Rogue

       Roland GR-700 Guitar Synth 

       Roland Juno 106

       Sequential Circuits MAX

       Theremin

Amplifiers:

       Alamo Model 3 (’58)

       Analog Outfitters Analog 15 Cabinet

       Analog Outfitters Sarge Amp

       Analog Outfitters Scanner

       Harmony H210 (’61)

       Line 6 Bass Cube

       Marshall JCM 2000

       Roeboy Handwired Champski

       Roeboy Handwired Britski

       Vox AC15 (Anniversary Reissue Handwired)


Guitars:

      Antoniostsai 12 String Les Paul

       Fender Precision 1953 Reissue ‘Sting’ Bass (’02)

       Fender Stratocaster ’58 reissue (’01) 

       Gibson 335 with Bigsby (’09)

       Gibson Antigue Jumbo (’12)

       Gibson Les Paul Standard (’74)

       Gretsch Resonator

       D'Angelico Excel 2 ('14)

       Roland GR-700 Guitar Synth 

       Taylor 903 Acoustic (’95)

Miscellaneous:
       (1) Redial PhaseQ
       (1) TC Helicon Voice Works

       (1) Line6 Pod XT Pro

       (1) Cloud Lifter

 

Stressless Rentals

Lots of folks like to shrug off the value of a great piece of gear. Does it really make a difference? Sure - some of my favorite equipment allows me to dial in a sound quickly and effectively - that saves me time, and so it saves me money. Some gear just can't be replicated. It makes things sound like I want them to sound. That's the point, right?

Perhaps I'm too particular... but that's what I'm paid for.